“The right lover of art can see the

“The right lover of art can see the virtue of one style without being blind to the virtue of another. He is perfectly sensible that the great, the inspired system of Middle Age architecture during its organic periods is a thing of very much higher beauty and import than the systems of the seventeenth and eighteenth centuries, and he acknowledges that history often thus leaves its mark at the expense of art, and that a building, in accumulating historical value, often deteriorates in artistic value. But all the same, he can see that Queen Anne design is rich, well- proportioned, and appropriate in many uses, especially indecora tive woodwork; and he will infinitely rather have the genuine product of that age than the sham mediaeval product of to-day.” (173)

結果 (繁體中文) 2:

“藝術的權利情人可以看到美德的一種風格而不盲目的美德評論另一個。他是非常明智的闕樂偉大，中世紀建築風格的系統在信息和通信技術的有機時期是非常高的美容和進口比十七和十八世紀的系統的東西，他承認歷史往往THUS離開ICT關口藝術的費用，而且一棟樓，積累的歷史價值，藝術往往惡化的價值。目的都是一樣的，他可以看到安妮女王設計豐富，良好比例，並在許多用途，特別是indecora略去木製品為宜; 他將無限而具備真正的產品，它比年齡的日常假中世紀的產物。“（173）

結果 (繁體中文) 3:

“the right情人藝術can see the virtue of one風格without being盲to the virtue of another。他是完全敏感that the Great，the System of Middle時代建築風格在其有機時期是件非常高的美麗與進出口銀行than the systems of the十七和十八百年的歷史，他承認，囙此常常讓馬克at the費用及其藝術，and that a塔樓，在蓄的歷史價值deteriorates，經常在藝術的價值。目的all the same，他可以看到，安妮女王設計是豐富的，好proportioned，and appropriate in many用遮陽，尤其是indecora木工；他將無窮rather have the product of that的年齡比假中世紀product of to天”（173）。