During his travels, Ruskin saw deca

During his travels, Ruskin saw decay and restoration everywhere. In his letters to his father from Italy, there are pages and pages of anger for the loss of familiar works of art, such as the destruction of two Giotto’s frescoes in the Campo Santo of Pisa; he exclaimed his feelings for the “Poor old Baptistery - all its precious old carving is lying kicking about the grass in frontof it - the workmen are wonderful at the ‘knockin’ down’, like Sam Weller (Pickwick Papers, ch. 37- 38)”. (131) In Verona, he was just in time to see

結果 (繁體中文) 1:

他在旅行期間，羅斯看見衰變和恢復無處不在。在他的信給他的父親來自義大利，有頁和頁的憤怒的熟悉的藝術作品，如兩個喬托的壁畫在坎波聖比薩; 破壞損失他大聲對他感情"可憐的老洗禮-其珍貴的老雕說謊關於踢它的草 — — 工人們都是很棒的前部 '敲響 '，喜歡山姆 · 韋勒 （外傳，第 37-38 章）"。(131) 在維羅納，他只是在時間來看看

結果 (繁體中文) 2:

在他的旅行拉斯金看到腐爛和恢復無處不在。在他的信兒子的父親從意大利，有網頁和憤怒的藝術作品熟悉的，比如兩個喬托的比薩坎普聖多明各壁畫的破壞損失的頁面; 他大聲說自己的感受，為“可憐的老洗禮 - 所有的ICT珍貴的老雕說謊關於在frontof踢草它 - 工人們都在”敲響下來'，像薩姆·韋勒（匹克威克外傳，C 37- 38精彩）“。（131）在維羅納，他只是在一次看到